Poems that I love

By Sarah Sarai Creeping, is what a saffron sun is doing, creeping out from a past it will soon revisit. I hike my blood-red tunic to my thighs with one hand while the other, well, in my arms, well, always a child, always delivered to us in indrawn- infant stillness, as if creation holds its breath because, really, all this is over so much too soon. Isn’t making art remembering what we knew? Why not, then, salvation? The water over rocks cold on granite— quartz and orthoclase—and slick moss. I’m the last person who should be entrusted to carry Him, me of the angry sinner school. And I would forswear sainthood and irony, I would, for this one, held against my heart. In response to: Saint Christopher and the Infant Christ, Follower of Dieric Bouts (Netherlandish, ca. 1480) Mississippi Review

by W.S. Merwin Every year without knowing it I have passed the day When the last fires will wave to me And the silence will set out Tireless traveler Like the beam of a lightless star Then I will no longer Find myself in life as in a strange garment Surprised at the earth And the love of one woman And the shamelessness of men As today writing after three days of rain Hearing the wren sing and the falling cease And bowing not knowing to what  

by Bob O’Hearn As long as we imagine there is something to defend, we will find enemies. The war is always with ourselves in that respect. Mind divides itself into self and other, and so the wild rumpus continues. "Except for deserted wilderness what is there to protect?" ~Joshu The war is over -- nobody survived. No time to mourn the dead, sunrise over the settling dust was too captivating for any lament. Crimson trails of mind's lingering exhaust scar-streaked dawn's early sky, as if the dream of night itself exploded, as if from now on there would be flooding daylight only, though even that wild wonder will fall in time from the eyes, till what remains is not of time, not of mind, yet even in its flash of vanishing -- true balm for wounded hearts. We wake and rise and fall breathless into this luminosity, this sky meadow vibrant with vernal signs, hues, and vivid budding wonders -- the ordinary evidence of everything changing,

by Ken Ireland Will my heart ever warm to these foreign gods? No matter that we shaved our heads for awhile. No matter that we wore socks that felt more like gloves than the fingerless mittens that mother stuffed our hands into when the pond froze over. There is still some mystery the heart cannot speak. Sometimes I feel as if I've been snowed into that one room school my grandpa talked of, huddled around the stove, a gang of kids jostling for attention like best grades, playing with tongue tangled words in a Sanskrit yeshiva, parsing phrases as cold as Tibetan snow. I aim for the precision of the shovel I used to dig out the family car after the blizzard, cutting square white blocks to toss before the plow. I train my body to own the rhythm of swinging forward, bending down from the hips, throwing my arms towards the ground. It feels like falling. When the conversation overheats, almost as loud as at auntie's Sunday table b

The following is a transcript of the inaugural poem, “Praise Song for the Day,” written and recited by Elizabeth Alexander, as provided by Graywolf Press. I have to admit to liking the poem much better when I see it in print than I did when Ms. Alexander recited it at President Obama’s Inauguration. Each day we go about our business, walking past each other, catching each other’s eyes or not, about to speak or speaking. All about us is noise. All about us is noise and bramble, thorn and din, each one of our ancestors on our tongues. Someone is stitching up a hem, darning a hole in a uniform, patching a tire, repairing the things in need of repair. Someone is trying to make music somewhere, with a pair of wooden spoons on an oil drum, with cello, boom box, harmonica, voice. A woman and her son wait for the bus. A farmer considers the changing sky. A teacher says, Take out your pencils. Begin. We encounter each other in words, words spiny or smooth, whispered or d

by Philip Whalen Mother and Ed are out in the car Wait til I put on some clothes Ed’s in a hurry. He hasn’t eaten since this morning Wait till I put on some clothes. Mother and Ed are out in the car. Do you have any clothes on yet? Let me come it. Wait till I get some clothes on Ed is impatient. He and mother are waiting. Can I come in? Wait till I put on some clothes. Mother and Ed are out in the car Wait till I get into some clothes Can’t I come in? Aren’t you dressed yet? Wait till I put on some clothes Mother and Ed are out in the car Can I come in? Wait till I get on some clothes.

by Woody Guthrie This land is your land. This land is my land From California to the New York island; From the red wood forest to the Gulf Stream waters This land was made for you and Me. As I was walking that ribbon of highway, I saw above me that endless skyway: I saw below me that golden valley: This land was made for you and me. I've roamed and rambled and I followed my footsteps To the sparkling sands of her diamond deserts; And all around me a voice was sounding: This land was made for you and me. When the sun came shining, and I was strolling, And the wheat fields waving and the dust clouds rolling, As the fog was lifting a voice was chanting: This land was made for you and me. As I went walking I saw a sign there And on the sign it said "No Trespassing." But on the other side it didn't say nothing, That side was made for you and me. In the shadow of the steeple I saw my people, By the relief office I seen my people; As they stood