Poems that I love

- Billy Collins The neighbors' dog will not stop barking. He is barking the same high, rhythmic bark that he barks every time they leave the house. They must switch him on on their way out. The neighbors' dog will not stop barking. I close all the windows in the house and put on a Beethoven symphony full blast but I can still hear him muffled under the music, barking, barking, barking, and now I can see him sitting in the orchestra, his head raised confidently as if Beethoven had included a part for barking dog. When the record finally ends he is still barking, sitting there in the oboe section barking, his eyes fixed on the conductor who is entreating him with his baton while the other musicians listen in respectful silence to the famous barking dog solo, that endless coda that first established Beethoven as an innovative genius.

by Billy Collins Much has been said about being in the present. It’s the place to be, according to the gurus, like the latest club on the downtown scene, but no one, it seems, is able to give you directions. It doesn’t seem desirable or even possible to wake up every morning and begin leaping from one second into the next until you fall exhausted back into bed. Plus, there’d be no past with so many scenes to savor and regret, and no future, the place you will die but not before flying around with a jet-pack. The trouble with the present is that it’s always in a state of vanishing. Take the second it takes to end this sentence with a period––already gone. What about the moment that exists between banging your thumb with a hammer and realizing you are in a whole lot of pain? What about the one that occurs after you hear the punch line but before you get the joke? Is that where the wise men want us to live in that intervening tick, the tiny slot that occurs after you have spent hours sear

Reading an Anthology of Chinese Poems of the Sung Dynasty, I Pause to Admire the Length and Clarity of Their Titles by Billy Collins It seems these poets have nothing up their ample sleeves they turn over so many cards so early, telling us before the first line whether it is wet or dry, night or day, the season the man is standing in, even how much he has had to drink. Maybe it is autumn and he is looking at a sparrow. Maybe if is snowing on a town with a beautiful name. “Viewing Peonies at the Temple of Good Fortune on a Cloudy Afternoon” is one of Bun Tung Po’s. “Dipping Water from the River and Simmering Tea” is another one, or just “On a Boat, Awake at Night.” And Lu Yu takes the simple rice cake with “In a Boat on a Summer Evening I Hear the Cry of a Waterbird. It Was Very Sad and Seemed to be Saying My Woman is Cruel—Moved, I Wrote This Poem.” There is no iron turnstile to push against here as with the headings like ‘Vortex on a

by Billy Collins for Ken and Trevor, oh you Canadians! I pick an orange from a wicker basket and place it on the table to represent the sun. Then down at the other end a blue and white marble becomes the earth and nearby I lay the little moon of an aspirin. I get a glass from a cabinet, open a bottle of wine, then I sit in a ladder-back chair, a benevolent god presiding over a miniature creation myth, and I begin to sing a homemade canticle of thanks for this perfect little arrangement, for not making the earth too hot or cold not making it spin too fast or slow so that the grove of orange trees and the owl become possible, not to mention the rolling wave, the play of clouds, geese in flight, and the Z of lightning on a dark lake. Then I fill my glass again and give thanks for the trout, the oak, and the yellow feather, singing the room full of shadows, as sun and earth and moon circle one another in their impeccable orbits

(here is a poem from deep in zen retreat) by Billy Collins The way the dog trots out the front door every morning without hat or umbrella, without any money or the keys to her doghouse never fails to fill the saucer of my heart with milky admiration. Who provides a finer example of a life without encumbrance— Thoreau in his curtainless hut with a single plate, a single spoon? Gandhi with his staff and holy diapers? Off she goes into the material world with nothing but her brown coat and her modest blue collar, following her wet nose, the twin portals of her steady breathing, followed only by the plums of her tail. If only she did not shove the cat outside every morning and eat all his food what a model of self-containment she would be, what a paragon of earthly detachment. If only she were not so eager for a rub behind the ears, so acrobatic in her welcomes, if only I were not her god. from Sailing Alone Around