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Showing posts with the label Robert Hass

Faint Music

by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days-- likes and dislikes, reasons, habits, fears-- that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one-- except some almost inconceivable saint in his pool of poverty and silence--can escape this violent, automatic life's companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend once told about the tim

THE PROBLEM OF DESCRIBING COLOR

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by Robert Hass If I said—remembering in summer, The cardinal’s sudden smudge of red In the bare gray winter woods— If I said, red ribbon on the cocked straw hat Of the girl with pooched-out lips Dangling a wiry lapdog In the painting by Renoir— If I said fire, if I said blood welling from a cut— Or flecks of poppy in the tar-grass scented summer air On a wind-struck hillside outside Fano— If I said, her one earring tugging at her silky lobe, If she tells fortunes with a deck of fallen leaves Until it comes out right— Rouged nipple, mouth— (How could you not love a woman Who cheats at the Tarot?) Red, I said. Sudden, red.

FUTURES IN LILACS

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by Robert Hass “Tender Little Buddha,” she said Of my least Buddha-like member. She was probably quoting Allen Ginsberg. Who was probably paraphrasing Walt Whitman. After the Civil War, after the death of Lincoln, That was a good time to own railroad stocks. But Whitman was in the Library of Congress, Researching alternative Americas, Reading up on the curiosities of Hindoo philosophy, Studying the etchings of stone carvings Of strange couplings in a book. She was taking off a blouse, Almost transparent, the color of a silky tangerine. From Capitol Hill Walt Whitman must have been able to see Willows gathering the river haze In the cooling and still-humid twilight. He was in love with a trolley conductor In the summer of—what was it?—1867? 1868? [from Time and Materials, Poems 1997-2005]