Poems that I love

by Mary Oliver The spirit likes to dress up like this: ten fingers, ten toes, shoulders, and all the rest at night in the black branches, in the morning in the blue branches of the world. It could float, of course, but would rather plumb rough matter. Airy and shapeless thing, it needs the metaphor of the body, lime and appetite, the oceanic fluids; it needs the body's world, instinct and imagination and the dark hug of time, sweetness and tangibility, to be understood, to be more than pure light that burns where no one is — so it enters us — in the morning shines from brute comfort like a stitch of lightning; and at night lights up the deep and wondrous drownings of the body like a star. by Mary Oliver, from Dream Work Atlantic Monthly Press If you want to read more of Mary Oliver’s poems, here are some that I like.

by Mary Oliver All night the dark buds of dreams open richly. In the center of every petal is a letter, and you imagine if you could only remember and string them all together they would spell the answer. It is a long night, and not an easy one— you have so many branches, and there are diversions— birds that come and go, the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye. Finally you have spent all the energy you can and you drag from the ground the muddy skirt of your roots and leap awake with two or three syllables like water in your mouth and a sense of loss—a memory not yet of a word, certainly not yet the answer— only how it feels when deep in the tree all the locks click open, and the fire surges through the wood, and the blossoms blossom. If you want to read more of Mary Oliver’s poems, here are some that I like.

Detail from Audubon Plate 121 Snowy Owl by Mary Oliver Coming down out of the freezing sky with its depths of light, like an angel, or a Buddha with wings, it was beautiful, and accurate, striking the snow and whatever was there with a force that left the imprint of the tips of its wings — five feet apart — and the grabbing thrust of its feet, and the indentation of what had been running through the white valleys of the snow — and then it rose, gracefully, and flew back to the frozen marshes to lurk there, like a little lighthouse, in the blue shadows — so I thought: maybe death isn't darkness, after all, but so much light wrapping itself around us — as soft as feathers — that we are instantly weary of looking, and looking, and shut our eyes, not without amazement, and let ourselves be carried, as through the translucence of mica, to the river that is without the least dapple or shadow, that is nothing but light —

by Billy Collins for Ken and Trevor, oh you Canadians! I pick an orange from a wicker basket and place it on the table to represent the sun. Then down at the other end a blue and white marble becomes the earth and nearby I lay the little moon of an aspirin. I get a glass from a cabinet, open a bottle of wine, then I sit in a ladder-back chair, a benevolent god presiding over a miniature creation myth, and I begin to sing a homemade canticle of thanks for this perfect little arrangement, for not making the earth too hot or cold not making it spin too fast or slow so that the grove of orange trees and the owl become possible, not to mention the rolling wave, the play of clouds, geese in flight, and the Z of lightning on a dark lake. Then I fill my glass again and give thanks for the trout, the oak, and the yellow feather, singing the room full of shadows, as sun and earth and moon circle one another in their impeccable orbits

by David Whyte All the true vows are secret vows the ones we speak out loud are the ones we break. There is only one life you can call your own and a thousand others you can call by any name you want. Hold to the truth you make every day with your own body, don't turn your face away. Hold to your own truth at the center of the image you were born with. Those who do not understand their destiny will never understand the friends they have made nor the work they have chosen nor the one life that waits beyond all the others. By the lake in the wood in the shadows you can whisper that truth to the quiet reflection you see in the water. Whatever you hear from the water, remember, it wants you to carry the sound of its truth on your lips. Remember, in this place no one can hear you and out of the silence you can make a promise It will kill you to break, that way you'll find what is real and what is not. I know what I am saying. Time

Zen comments on the 12 Steps The koan, "Hsiang-yen: Up a Tree," case 5 of the Mumonkan. Today I find myself totally swept up in the hanging man's dilemma as I begin to re-work Step 1 of the 12 Steps. The Big Book puts the first step in simple, straightforward language: "I admit that I am powerless over … [alcohol, drugs, food, sex]—that my life has become unmanageable." It's just the first step on a journey, and in my case, there is a story connected with my personal surrender. Here is case 5 as my teacher, John Tarrant Roshi, presented it during a retreat . "Hsiang-yen: Up Tree" The priest Hsiang-yen said, "It is as though you were up in a tree, hanging from a branch with your teeth. Your hands and feet can't touch any branch. Someone appears beneath the tree and asks, `What is the meaning of Bodhidharma's coming from the West?' If you do not answer, you evade your responsibility. If you do answer, you lose your life.

by Wislawa Szymborska The buzzard never says it is to blame. The panther wouldn't know what scruples mean. When the piranha strikes, it feels no shame. If snakes had hands, they'd claim their hands were clean. A jackal doesn't understand remorse. Lions and lice don't waver in their course. Why should they, when they know they're right? Though hearts of killer whales may weigh a ton, in every other way they're light. On this third planet of the sun among the signs of bestiality a clear conscience is Number One. Translated by Stanislaw Baraczak and Clare Cavanagh To read more of her poems that I admire!